How to use this on-line tutorial:
All subjects listed in the contents have ‘hyperlinks’
to their relevant chapters. You can also use the ‘Back’
or 'Previous' button to jump back to the item you
last looked at.
Section 1 covers:
System:
Using ISIS:
How to:
Explained:
Section 2 covers:
Applications:
ISIS Scanning:
Traditional Philosophy:
Colour Analysis:
Light Field Analysis:
About ISIS Imaging:
Section1 Contents:
System:
System
requirements
Pre-installation
Installing ISIS
Pro2
Capture
devices
Capture
resolutions
Colour
(bit depth)
Using ISIS:
Start
up
The
main windows
Modes
CAM
AVI
IMAGE
REPORTS
How to:
Change
default directory paths
Create/Open
a Project
Connect
to my capture device
Apply
filters
Capture
Images
Capture
avi files
Write/Save
and print reports
Edit
a report
Use
two monitors
Explained:
The
Directory structure
AutoSave
ISIS
filters
Section 2 contents:
Applications:
Measuring
tool
Information
for client
ISIS Scanning:
Lighting
Positioning
of subject
Positioning
of camera
Camera settings
Temperature
of room
Temperature
of subject
Clothing
of subject
Condition
of subject
Conditions
in scanning room
Traditional Philosophy:
The
aura
Colour Analysis:
Red
Orange
Yellow
Green
Blue
Violet
White
Black
Light Field Analysis:
Patterns
Shapes
Brightness/Dullness
About ISIS imaging:
Section 1: Installing and operating the ISIS software.
System:
System requirements:
NOTE: ISIS will run on the minimum system requirements
(see below), but it is strongly recommended that you
use a computer with as high a specification as possible.
We also suggest that it would be advantageous to run
the system on a dedicated computer. Obviously, this
is not always possible, but, failing this, try to
keep the number of other programs installed to a minimum.
Minimum System Requirements
Hardware:
CPU: 500 MHz
Memory: 128Mb
Hard Drive: 20 GB
Video: 24bit 32mb graphics card
Video capture: PCI capture card 720 x 576 resolution.
Video interface: PCI slot
CD drive
Software:
System: W98.
DirectX9
Video settings: 800 x 600 24bit colours
Recommended System Requirements
Hardware:
CPU: 1800 MHz or higher
Memory: 512Mb
Hard Drive: 60 GB or larger
Video: 128Mb graphics card
Video capture: DV via FireWire and a MiniDV camera.
Video interface: FireWire
DVDW or CDRW drive
Software:
System: WXP or W2000
DirectX9
Video settings: 1024 x 768 32bit colours
Pre
installation:
ISIS software is protected with a ‘dongle’ that is
programmed to work only with your software.
ISIS will only operate with your dongle attached to
your computer (USB or Parallel port).
Please do NOT attach this dongle before running the
installation CD as all the necessary dongle drivers
are installed together with ISIS.
Installing
ISIS:
Insert the ISIS installation CD into your CD drive
and wait for the auto run setup to start.
If this fails to start, open the CD (My Computer\your
CD drive letter\ISIS) and double click ‘setup’.
If your system does not have DirectX9 installed you
will need to install this first. We recommend that
you install this anyway, as it will search your system
and update it as necessary.
After a ‘Full’ install of DirectX9 your system will
automatically reboot. You will then need to re-insert
the ISIS installation CD to install ISIS.
Install ISIS, following the on-screen directions. If
in doubt as to what you need, just follow the ‘Full
install’ in the setup program.
ISIS Print will automatically be installed into your
'Resolutions' folder. If you do not wish to install
this add-on, you should select 'Custom Install' in
the setup program.
If you do not have Acrobat reader installed (needed
for the PDF manual) you can install this from the
CD. This is not essential as the manual is included
as a html document as well as a PDF (Acrobat).
You may also wish to install Primo PDF, which is a
PDF creator. This will install as an invisible printer
which will print (create) a PDF document of the opened
file.
You can install Primo PDF from the Setup menu, following
the on screen directions.
Capture
devices:
By ‘Capture device’ we mean either external (usually
USB) capture hardware (such as a Terratec Cameo Grabster),
or an internal PCI capture card (such as a Pinnacle
DC10).
FireWire:
If you have 'FireWire' on your computer (recommended)
you do not need any other type of 'Capture Device'
as mentioned above.
Please Note:
Digital cameras (inc. MiniDVs) can useFireWire, analogue
cameras (usually the older types are analogue) cannot,
and will require some type of capture device as above.
The main consideration when using a USB capture device
is that it will almost certainly require that your
computer has a USB 2 port.
All makes and types of capture devices vary in their
capabilities. Some have TV tuners built in, but it
is the output capabilities that are more important
for ISIS when you are choosing which one to buy.
We strongly recommend that you get the best possible
device you can afford and that it has an (output)
capture resolution of 720 x 576. This will give you
the best image resolution (pixel definition) on the
screen display as well as in the final print outs.
You also must make sure that your choice of capture
device is compatible with your Video camera.
Capture
resolutions:
Capture resolution (output size) means the size of
image your device can output (in pixels)
So 720 x 576 means you can capture an image (frame)
720 pixels wide by 576 pixels high.
ISIS will not work on smaller resolutions; you MUST
either have a capture device that supports 720 x 576,
or use a MiniDV camera with FireWire.
FireWire:
As all MiniDV cameras output in DVD format, the resolution
is not an issue as DVD is 720 x 576 by default.
Colour
(bit depth):
You need to capture your images (and avi files) in
RGB at 24bits per pixel (RGB 24).
This is essential, as ISIS needs to look at each bit
within the individual pixels to decode the information.
This is all taken care of for you by ISIS.
Using ISIS:
Start up:
When starting ISIS for the first time, you can set
your preferences for the folder paths. You can click
'Default' or 'Default all' to have ISIS create these
for you. The preset path to 'Projects' for example
is "C:\Program files\Resolutions\Projects".
You can of course set the path to any directory on
your hard drive you wish, but this must always remain
the same from then on as all of your work will be
saved into these folders.
If you find you must change these from the defaults
after using ISIS, please see 'How
to: Change default directory paths’ in this tutorial.
The
main windows:
The window that first opens in ISIS will always be
the 'Control Panel, as ISIS needs to search, to see
what capture devices and other interfaces you may
have attached to your computer. You will notice the
four mode buttons, these are there for you to switch
between modes from this panel.
You can click between modes as you wish, but you may
lose your work if you haven't saved it first, so be
careful. To close any 'Mode' window, just click the
small cross (window control) at the top right hand
corner. If you are 'Conncted' or playing an 'AVI'
file, you will be prompted to 'DisConnect first' before
closing a window (mode).
When opening a 'Mode' window, you will find that it
appears 'maximized' (fills your screen). To release
it from its position, click the centre button (window
control) at the top right. Try clicking between modes
to familiarise yourself with the screen layouts. Each
‘MODE’ is detailed under ‘MODES’
in this help file.
In ‘CAM’ mode, the large area (left) is the main screen
where all video images are displayed. This screen
has the built in capability of ‘floating’. Just double
click at the top of the display (the thin grey bar)
to detach it from the main window. You may need to
click more than once to get used to how it operates.
Once detached, you can drag it anywhere you want or
click the ‘Maximize’ button to force it to fill your
screen. By dragging this floating window anywhere
near to its 'home', it will automatically jump back
into position or you can just click the 'Home' button.
Play around with this function before connecting,
to get the feel of how it operates.
This detached window (video display) can also be dragged
onto another monitor if you have one set up on your
system. More details referring to this are under ‘How
to: Use two monitors’.
You will notice that when this screen is detached,
more controls appear on this window. These are for
controlling ISIS when this display is floating, as
the main window and its controls become disabled.
Below this video screen there is the capture control
bar that contains the main capture and save controls
used in ‘ CAM’ and ‘AVI’ modes.
This bar also contains your capture device settings
and connect/disconnect buttons. Some of the window
controls are ‘greyed out’ depending on which state
(connect/disconnect) you are in.
For more details regarding your device settings and
connecting see ‘How
to: Connect’.
On the right hand side of the main window you have
the ‘Filter’ controls.
At the very bottom is the ‘Create/Open Project folder’
buttons.
Help with Projects and Project folders is under ‘How
to: Create/Open a Project’.
Again, depending on what connection state you are in,
some of the window controls will be inactive (greyed
out).
MODES:
There are four main modes in the ISIS program, CAM,
AVI, IMAGE and REPORTS.
You can switch between modes using the ‘Mode’ buttons
or in the main (top) menu bar under ‘ ISIS’. You can
tell which ‘Mode’ you are in as it is displayed in
the top title bar. Also, in the main menu bar, the
current mode is ‘checked’ when selected.
Changing between modes gives you the flexibility of
using ISIS independently of the other functions, i.e.
you could use ISIS as an ‘Image viewer’ or a ‘Report
editor’ without needing to connect to your capture
device.
CAM:
By clicking the button labelled ‘ CAM’ you enter the
CAM (camera) mode. In this mode you can use ISIS to
capture moving as well as still images.
ISIS filters can be applied in this mode to the video
stream prior to capturing stills or AVI files.
Please Note:
Capturing an avi (movie) file, will write an avi from
exactly what is being displayed in the main video
display window. This will include any ISIS filters
you may have applied to the video. As these 'AVI'
files are 720 x 576 resolution and 25fps by default,
they can be converted into DVDs very easily using
DVD authoring software.
AVI:
By clicking the button labelled ‘AVI’ you enter the
AVI (movie) mode. In this mode you can play back specially
recorded movie (avi) files and apply the ISIS filters
to them. You can capture stills and avi files from
these in the same way as you can in ' CAM' mode.
Please Note:
Yes! You can capture an avi file from another avi
file. This is part of the flexibility built into ISIS
Pro2.
More details on capturing stills from ‘avi’ files are
under 'How
to: Capture Images’.
More details on capturing ‘avi’ files are under ‘How
to: Capture avi files’.
IMAGE:
By clicking the button in the Control Panel labelled
‘IMAGE’ you enter the IMAGE (saved images) mode.
In this mode you open bitmap images that have been
captured and saved on your hard drive.
You must first open a project to enable ISIS to search
through that project folder for all the relevant data
that has been saved with the images. Once you have
an image open and displayed, you can click ‘Next’
or ‘Previous’ to jump through all the images in that
project. You can also click on ‘Images’ in the top
menu bar and then select from the ‘GoTo’ menu.
All data relevant to each image (date/time filter used
when it was captured etc.) is displayed in the ‘Data
display’ box.
‘Print’ (when in ‘IMAGE’ mode) will always print out
an image 6 x 4 in landscape by default along with
the annotation. This is set into the program and cannot
be changed.
You can 'Jump' to 'REPORTS' mode by simply clicking
the 'Report' button (bottom right).
REPORTS:
By clicking the button labelled ‘REPORTS’ you enter
the REPORTS (saved images with reports) mode.
In this mode you can open reports that have been saved
with the captured images. You can also create a report
at a later date to be saved with any image. Any report
can be edited providing the image has been saved into
its relevant 'Project' folder.
As in ‘IMAGE’ mode, you can search through any of
your ‘Project’ folders to display an image and its
relevant report.
The ‘Clear’ button clears all text in the text window,
not what is saved in the data file. ‘Clear’ will only
clear the report permanently when you click ‘Save’
after ‘Clear’.
Once a ‘Project’ is open, the ‘Open/Save’ buttons always
work within that project by default. You cannot navigate
outside of the opened ‘Project’ folder, to other projects
or directories on your hard drive. To change to another
project, click the 'Open a Project folder' button
at the bottom.
‘Print’ (when in ‘REPORTS’ mode) will always print
out an A4 report in portrait by default. This is set
into the program and cannot be changed.
You can 'Jump' to 'IMAGE' mode by simply clicking the
'Image' button (bottom right).
More details on writing and saving reports are under
‘How
to: Write/Save and print reports’.
How to:
Change
default directory paths:
In any mode.
Click ‘Settings' > 'Preferences’ in the top menu
bar. This will open the preferences dialog window
showing you the default paths to your folders.
Clicking the ‘All Default’ button will automatically
set the paths to the current (installed) folders.
If you wish to have your folders elsewhere, you can
change them by clicking the relevant ‘Browse’ button
and navigate to anywhere you want to on your hard
drive creating a ‘New Folder’ and naming it.
When you ‘Save’ these new settings your new folders
will automatically open when opening ‘Projects’, ‘AVI
files’ or ‘Filters’.
Please Note:
When clicking 'Save', ISIS checks what available hard
drive space you have and whether you have any files
within the new folders you have selected. If empty
folders are found, you will see an information box
suggesting a course of action.
If ISIS informs you that your computer is low on disk
space, we recommend that you remedy this before it
becomes a serious problem.
What ISIS needs:
ISIS needs its filter files (files ending in .fil)
in the filter folder. If you have selected to change
the path (create a new filter folder), you MUST move
or copy some of the filters into this new folder so
that ISIS can find them. Having no AVI files or Projects
is not a problem, as you can always write other avi
files into your new AVI folder. Projects will take
care of themselves when you create a new project to
save your captured images into.
Create/Open
a Project:
In any mode.
Note:
You cannot 'Create' a new 'Project' in 'IMAGE' or
'REPORTS' mode.
When opening or creating a Project in any mode it will
automatically stay 'opened' whichever mode you change
to.Clicking ‘Create/Open Project folder’ will open
the project dialog box showing you the default ‘Projects’
(parent) folder.
If you see just one folder labelled 'Projects' in this
dialog, it is because you have not yet created any
projects. You can either select an existing project
or click ‘Create a New Project’ to create a new one.
You must name this ‘New Folder’ before clicking ‘OK’
and closing the dialog. You will now be within a new
(or existing) project and the project name will be
displayed in the window.
Note: You will see that you cannot ‘Create’ a new project
folder, when you are in either ‘IMAGE’ or ‘REPORTS’
mode. This is because you do NOT need to save images
or data files when in these modes. You can of course,
edit existing reports and save them, as this will
always be within an existing project.
More information on editing reports can be found in
‘How
To: Write/Save and Print reports’.
When clicking on a project folder you will notice that
the number of files (images) within this project are
displayed along the top of this box.
Connect
to my capture device:
‘ CAM’ mode only.
The bottom bar on the main screen contains the capture
device controls.
The long pale blue box (far left) shows your devices
and their connection state.
Click on this box and you will see your device listed.
Click on this to select it.
This will automatically connect your device or you
can click ‘Connect’. If your video camera is plugged
into your computer (device) correctly, and switched
on, you should see a video display in the main window.
If you wish, you can select the ‘Properties’ of the
device and its connections. Click the ‘Properties’
button for the device first. You will now have opened
the properties dialog window. ISIS automatically detects
whether your camera is digital or analogue and selects
the necessary 'property' windows accordingly. You
will therefore only see which 'properties' are available
for your attached devices/camera.
Please Note: It is not normally necessary to alter
any of the device 'Properties' as ISIS automatically
sets these for you when starting up.
For Digital (MiniDV cameras) you will only see 'Capture
Properties'.
For Analogue cameras/devices you may see more options
available.
Analogue:
Under ‘Capture Properties' > 'Video decoder’ select
‘PAL_B’ as the video standard and click ‘OK’.
Click ‘OK’ and the window will close, saving these
settings for the current session.
If ISIS fails to connect, it is possible if your capture
card/device incorporates a TV tuner, that ISIS is
connecting to this (usually indicated by a black screen
showing coloured bands at the top). If this is the
case try changing the input pin (under ‘Pin Properties'
>‘Video Crossbar’) to ‘Video Composite In’ or ‘Video
Svideo In’ instead of ‘Video Tuner In’. These settings
will remain the same when you click 'OK'.
Note:
All of these settings depend on your capture device
capabilities, NOT ISIS.
Once connected, ISIS saves all of your connection
settings when closing. This enables you to simply
click 'Connect' the next time you run the ISIS program.
If you experience problems with making a connection
between your camera and ISIS, please refer first to
your video camera and capture device manuals regarding
connecting to other devices.
Apply
filters:
‘CAM’ and ‘AVI’ modes only.
Once connected you can ‘Open’ and ‘Apply’ ISIS filters.
Filter 001 (shown above) is the ISIS standard filter.
Just select a filter from the pale blue filter box.
Clicking ‘Filter ON’ decodes the video stream (frames)
and displays them as an ISIS image.
You can change the current filter or click ‘Filter
OFF’ to return to the unfiltered video.
Please Note: You must be connected to a video device
or have an AVI file playing before you can apply a
filter.
Capture
Images:
‘CAM’ and ‘AVI’ modes only.
Clicking ‘Capture Image’ (with ‘AutoSave’ unchecked)
captures an image to memory NOT your hard drive. You
can click away as much as you want and each ‘capture’
will be displayed in the smaller ‘capture’ window
(middle right). You can also press the ‘C’ key on
your keyboard to capture.
Please Note: You will need to click 'Save Image' to
save your capture into a project folder, or have 'AutoSave'
checked, before you can view your images/reports in
'IMAGE' or 'REPORT' mode.
Below the video display screen is an indicator that
tells you if your capture is ‘Saved’ or ‘Not Saved’
into a project.
Clicking ‘Save Image’ (capture control bar) will save
the captured image being displayed in the smaller
capture window into your ‘Project’ folder.
Remember:
Open a project first before capturing images. You
will then be able to save them using 'Save Image'
or 'AutoSave' into this project.
With ‘AutoSave’ checked and a ‘Project’ open, clicking
‘Capture Image’ will automatically save the images
to this open project. For more details on ‘AutoSave’
see ‘Explained:
AutoSave’.
If you have your computer sound turned on, ISIS will
‘ding’ every time an image is successfully captured
and saved to disk.
Capture
avi files:
‘CAM’ and ‘AVI’ modes only.
Capturing avi files can be very helpful if you have
limited time with a client and/or you wish to experiment
with other filters at a later date. Avi files are
movies made up of individual frames (bitmap images)
that contain all the information that the camera recorded.
In ‘CAM’ mode, set up and connect to your capture device
following the normal procedure. See ‘How
to: Connect to my capture device’.
In the top menu bar click ‘Settings’ and select ‘Captured
AVI fie Settings’. This opens and assumes you wish
to save this new avi as 'ISIS_01.avi' into the default
‘AVI’ folder. If you want to change its name then
click 'Browse' and type in a new name for this file
in the next dialog box. When you have done this, click
‘OK’.
In this 'Settings' window, you may also change the
duration of the AVI file. Just set the time you want
and click 'Save/Close'.
You can, of course, leave all of these settings as
they are. The default duration of the captured avi
file is automatically set to 20 seconds.
ISIS always checks to see if you have enough disk
space for your AVI file before allowing you to proceed.
You must either be connected to a capture device (
CAM) or playing a video clip (AVI) before you can
capture an AVI file.
Clicking ‘Cap AVI’ starts the capture and the capture
timer display. After about 20 seconds (by default)
the capture will stop, or you can click ‘Stop Cap’.
As your image size is 720 x 576 (default) you should
have an avi file of about 600Mb. Bear this file size
in mind if you plan on capturing several avi files,
just in case you run out of disk space.
Suggested procedure
for capturing an AVI file:
Start ISIS and open ' CAM' mode.
There's no need to open or create a project at this
stage.
Connect to your camera/device.
Do not select any filters.
Set duration required (as described above). 10 seconds
is usually enough, as when it is played back, it is
repeated in a loop until you click 'Stop'.
Click 'CapAVI' and confirm that you wish to capture.
The capture will start and finish.
This new AVI file can be opened in 'AVI mode and different
filters can be applied.
You can now capture images from this avi into a project
folder or even capture another AVI file from this
one, with a filter applied for making a DVD.
Write/Save
and Print reports:
‘REPORTS’ modes only.
After your capture (still image) session, you can change
to ‘IMAGE’ or ‘REPORTS’ mode, which will always show
you the last captured image and the data saved.
There are always two data ‘strings’ saved with each
image into a separate ‘.dat’ file. These strings contain
information such as the project folder name, the image
name, the date/time the image was captured and the
filter used. This data is always printed along with
the image when you select 'Print', when you are in
‘IMAGE’ or ‘REPORTS’ mode.
In addition to this annotation you can save more detailed
information to accompany each image in the form of
a ‘report’. In ‘PROJECTS’ mode this report is printed
below the image annotation.
These reports are always displayed in the main ‘REPORTS’
window for you to add your own data (text) to. You
can also edit previously saved reports and save them
again.
‘Save Report’ always saves over the opened report,
as the information is only relevant to the opened
image. If you wish to write another report this should
complement a more recent image.
This way you can build a comprehensive database of
all your projects/clients.
The ‘Clear Report’ button will clear all text in the
text window (you may wish to start again) and will
clear an existing (opened) report after clicking ‘Save
Report’ so be careful.
The amount of text you can add to your report is limited
to 1000 characters, but this will allow ample space
for a detailed report to accompany the associated
image.
Edit text:
All text can be copied to and from other programs,
in much the same way you can in other text editing
programs. You can also clear all of the text just
by clicking ‘Clear Report’.
To ‘Cut’, ‘Copy’ and ‘Paste’ etc., you can right click
your mouse and select from the drop down context menu.
Use
two monitors:
In any mode.
If you are using a dual monitor setup, we recommend
setting the second monitor to a screen resolution
of 800 x 600. This will give you a much better image
display when the window is 'floating'. It will also
enable your display (image at 720 x 576) to completely
fill your screen.
You can use a dual monitor setup in any mode, dragging
the video display window onto the second monitor.
Most makes of laptop (notebook) computers can drive
two displays, the LCD screen and an external monitor
both at the same time. You can take advantage of this
and use ISIS to display its (floating) video window
on the second monitor. The capture controls will always
appear on this second monitor.
This can also be done in Win2000 and WinXP using a
desktop computer by installing a second graphics card
or a ‘dual head’ video card.
Using this facility, and perhaps a remote (wireless)
keyboard you could operate your ISIS system with a
lot more freedom to move around your setup.
Explained:
The
Directory structure:
The directory (folder) structure in ISIS is as follows:
By default, all folders are installed in C:\Program
files\Resolutions.
These can be changed as detailed in ‘How
to: Change default directory paths’.
We will assume all settings are as default for the
purpose of this explanation.
The ‘Project’ folder is the parent folder that holds
your entire Projects’. The path to this main ‘Project’
(parent) folder will then be
C:\Program files\Resolutions\Projects
and the path to the child folders (your actual projects)
will be
C:\Program files\Resolutions\Projects\MyFirstProject
etc.
Note: When you change or set the default path to the
‘Projects’ in ‘Settings’ you are setting the path
to the main (parent) folder and not to the actual
project(s).
When clicking ‘Create/Open Project folder’ you will
automatically find this (parent) folder open in the
dialog window. Creating a new folder here will create
a directory within this main folder for you. Name
it and click OK.
By naming this new ‘Project’ it will appear on your
main screen with ‘0’ along side of the name. This
number always shows the total number of images there
are within the open (current) project.
Although possible, it is not a good idea to create
projects within other projects. This could lead to
confusion when browsing for an individual project.
Note: All images saved with auto save will be named
after this new project plus a number. Therefore if
you name a new project ‘Test’ all images automatically
saved within this folder will be ‘001_Test’, ‘002_Test’,
'003_Test’ and so on. If you save using the ‘Save’
button (‘ CAM or AVI’ mode) you can name them what
you want, but they will always have the next index
number as a prefix.
Both ‘AVI’ and ‘Filters’ folders by default are within
the installed directory.
The default path to the ‘AVI’ folder would be C:\Program
files\Resolutions\AVI files
The default path to the ‘Filter folder’ would be C:\Program
files\Resolutions\Filters
AutoSave:
On the capture control bar you will see the ‘AutoSave’
checkbox. When checked all your captured images are
automatically saved into your opened project folder.
‘AutoSave’ can be always on at start up by default
if ‘Saved’ in the ‘Settings / Preferences’ window.
You can still click ‘Save’ (on the capture control
bar) and save your captured image again, into your
project folder naming it what you want.
Note: A project named ‘Jones’ (folder) captures ‘001_Jones’
(image) with ‘AutoSave’ on.
Please Note:
If 'AutoSave' is checked in 'Preferences' it will
always remain 'On' at startup. ISIS will then always
prompt you to 'Create/Open' a project to save the
captured bitmaps into.
ISIS filters:
The ISIS filters are the most important parts of the
ISIS program. A filter decodes every point of light
that your video camera sees, then analyses and displays
them as an ISIS image.
You will find them (by default) in C:\Program files\Resolutions\Filters
where ISIS can access them when needed.
When your video window is displaying video (‘CAM’ or
‘AVI’ modes) these filters can be applied, removed
and changed as needed. Trying to select or apply a
filter without being connected or without playing
an avi file, will cause ISIS to prompt you to connect.
Section 2: Setting up and operating the ISIS imaging
system.
Applications
Measuring
tool:
Many complementary medicine therapists have found imaging
systems such as ISIS a valuable measuring tool aiding
assessment of where a client may need treatment. Pools
of congested light, or light which is too bright or
too dull, may be seen where a client has an existing
physical problem or where one has occurred in the
past. Light patterns may be 'cloudy' or red over the
organs of elimination (with ISIS filter 001), e.g.
liver or kidneys, giving the therapist information
about the state of these important organs and whether
or not the client may need to address their diet or
whether a detoxification regime or cleansing diet
may be appropriate.
Information
for client:
The ISIS scan can show the client how their light field
is before therapy starts. Subsequent scans, taken
as therapy progresses often appear to show a more
'balanced' distribution of colour and patterns. This
may act as visual confirmation for the client that
their light field is improving, hopefully alongside
a feeling of increased well being.
Sometimes therapy may involve a regime of detoxification
or cleansing. Whilst this is happening the light field
scan may show increased distribution of red in the
field (with filter 001) possibly due to release of
toxins as the body cleanses itself. This has been
seen to settle after the period of cleansing is over.
The field may then show more 'vitality' and 'brightness'
(with filter 001).
Changes in the light patterns have been noted before,
during and after therapies such as acupuncture, aromatherapy,
Bowen technique, healing, massage, meditation, osteopathy,
reflexology, reiki, yoga and many more.
Examples of these light field patterns can be seen
on this website: here
ISIS Scanning:
The person or subject being scanned stands in front
of a non-reflective, monochromatic background e.g.
a light-coloured screen or wall painted with matt
paint. This type of background allows the subject's
light field to be clearly defined for analysis.
For research studies where current scans are compared
with previous scans, the conditions in which scans
are taken have to be kept constant or as near to conditions
of previous scan as possible. We plan to construct
an ISIS lab, which will consist of a structure in
which the lighting and surroundings are always the
same. This lab will be portable and could be of use
to ISIS users who may want to compare their findings
with those of other researchers. With a constant environment
scans will be conducted under similar conditions.
Lighting:
Full-spectrum white lighting is recommended for ISIS
scans. Fluorescent strip lights of 5 feet (1500mm)
secured to the ceiling have provided satisfactory
lighting conditions for scans. Strip lights have been
situated from three to five feet (900mm- 1500mm) away
from the background wall or screen against which subject
stands. They can be positioned in line with or, at
180 degrees to subject. See diagrams 1-4.
We do not recommend that the light source is positioned
vertically in front of subject, i.e. on a table or
stand, as this results in scans which show less differentiation.
Full-spectrum lighting can be sourced easily through
lighting retailers or on the web. Examples are 'Osram
Biolux' or 'True Light'.
Note: having the light source too close to the subject
may result in 'white out' (see section on Camera
Settings). It may be best to position camera on
a tripod. (see section on Positioning
of Camera).
Take care to avoid having too much light when using
2 small fluorescent tubes on stands on floor.
Full-spectrum lighting can been set up using two fluorescent
tubes positioned so that subject (who will stand on
white platform against wall) is evenly lit. Care would
need to be taken in this environment that the objects
around the scanning area are exactly the same for
all scans so that comparison - say 'before' and 'after'
a therapy - is possible. Ideally a dedicated area
for scanning helps ensure that conditions are the
same for all scans.
This lighting is portable. An alternative portable
set-up would be to use one light tube on a stand or,
tripod, positioned at correct distance from subject
and close to ceiling. In this case the stand or tripod
would have to be positioned behind the camera to avoid
obstructing the camera's view of subject.
Positioning
of subject:
Standing.
The subject stands as close as possible to the monochromatic
background in a relaxed pose. Ideally, they should
be positioned so that they are in line with the mid-point
of the light source and in line with camera.
For side views of subject the same applies, they stand
as close as possible to the background with the midpoint
of the light source and midpoint of the camera in
line with midline of their body.
Sitting.
The subject sits as close as possible to the monochromatic
background in a relaxed pose. Again, they should be
positioned so that they are in line with the midpoint
of the ceiling-mounted light source and midpoint of
the camera.
For side views of subject the same applies, they sit
as close as possible to the background with the midpoint
of the ceiling-mounted light source and midpoint of
the camera in line with midline of their body.
If subject is sitting in a wheelchair more information
may be obtained if the arms of chair are removed -
providing the subject is well supported and not at
risk of falling from chair. If subject is sitting,
a plain, i.e. (one colour) chair is preferable to
a patterned chair that may make analysis more difficult.
Positioning
of camera:
Use of tripod: The camera on the tripod can be placed
in the same position for all scans and adjusted to
the same height. Some users have the camera at the
same height as the middle of the breastbone of the
subject, for head and body shots and at the level
of the navel for leg/lower back shots.
The distance between camera and subject can be measured
and kept constant. The angle of the camera can be
measured and charted for different shots taken of
subject so that these parameters can be used for consecutive
scans.
The camera should be positioned 'in line' with the
ceiling-mounted light source (if light source is in
a straight line in front of camera) and at the midpoint
of the light source if it is at right angles to the
camera's view line.
The camera lens should be positioned in line with an
imaginary vertical line that would separate the subject's
body in two halves i.e. left and right. This applies
for whatever shot the subject has taken i.e. from
the front, back, or side.
Camera
settings:
Some modern cameras have a button for 'Back Light Compensation'.
We have found that a more defined picture in terms
of patterns & colours is achieved if this facility
is 'on'.
In small rooms with light-coloured walls and good lighting,
'white-out' may be a factor. White-out is where white
light is seen on top of subjects' heads/shoulders
and on wall behind head and shoulders in the majority
of scans (with filter 001). It means there is 'too
much' light saturating the subject. This may be because
the light is positioned too close to the subject.
To get maximum information from an ISIS scan we recommend
reducing the exposure setting on your camera (see
your camera manual to see if that is possible).In
larger, darker rooms where the lighting may not be
so effective, a better, 'lighter' scan may be achieved
by increasing the camera exposure setting, or moving
the light source nearer to the subject. Alternatively,
try painting the walls a lighter colour.
Temperature
of room:
The ambient room temperature should be kept within
a determined range so that the subject (who will probably
be in their underwear) will be neither too hot nor
too cold as this could affect the colours seen on
ISIS scan.
A thermometer placed in room could monitor temperature
and this could be charted at start of scanning session.
Time of scan would also be relevant and should be
charted.
Temperature
of subject:
If subject is too hot or cold i.e. coming in from a
boiling hot summer's day or, a freezing cold winter's
day, then this could affect colours seen on scan.
Let the subject cool down or warm-up before attempting
to scan. An appropriate cool or warm drink may help.
Clothing
of subject:
White or pale coloured cotton underwear or clothing
is best for scans. Patterned clothing should be avoided
as it can make it difficult to identify light patterns
through them. Ideally the subject should wear the
same clothing in each scan so that changes in the
scan are more likely to reflect changes in the light
field of the subject and not be the result of 'reflections'
from different clothing.
An experienced scanner may be able to identify patterns
'through' clothing but this takes many years of experience
and would not be a suitable method for comparison
with previous scans of the subject.
Condition
of subject:
The optimum conditions would be where the subject is
neither hot nor cold, and is not dehydrated. Emotional
factors may affect the colour and light patterns seen
on the scan. If a subject has had a stressful journey
getting to their appointment for a scan then allow
them time to relax. They may also be a little nervous
about having a scan done, so take time to inform them
of what is to happen and listen to any concerns they
have.
Conditions
in scanning room:
Where possible a dedicated scanning room in which the
conditions are always the same is best.
In a dedicated room the temperature can be maintained
within a certain defined, range, the lighting can
always be from the same internal light source. All
external light should be blocked out by either by
using a windowless room or by means of a 'blackout'
at the window. White-coloured 'blackout' blinds on
a roller are effective and more aesthetically pleasing
than a black-coloured blind.
The light in a room and hence the scanned images, can
be greatly affected by external light sources e.g.
the sun or street lighting. The room will be much
lighter on a sunny day or if the street light is on.
The changes in lighting can make a scanned image appear
lighter or darker or can give the impression of patterns
which are nothing to do with subject but are more
to do with shadows or bright shafts of light from
outside.
Keep equipment and/or furniture in the same position
in the room. Light interference or reflections from
equipment or furniture in the room may affect the
colour of the light around the subject being scanned.
If there is a tiled or marble floor in the room (through
which the subject's energy may be said to 'ground')
it may be necessary to get the subject to stand on
a white, or light-coloured material such as a cork
or rubber mat or on a small wooden platform. In this
way the subject does not have to stand on a cold surface
which may affect the scan result and insulates them
from 'grounding'.
Some users have a small wooden platform for subject
to stand on. They have drawn lines where the subject's
feet are to be placed, thus ensuring the subject stands
in the same place for each scan.
Traditional Philosophy:
The aura:
Clairvoyants, or sensitives, through the ages, have
reported seeing emanations of light from living things
called the 'aura', which most of us are unable to
see. This light is described by sensitives as being
configured in seven main places on the human body
in what are called energy centres. In India, these
energy centres are known as 'chakras', taken from
the ancient Sanskrit word meaning 'spinning wheels'.
These chakras have been described as step-down transformers
which distribute light or 'energy' from the universal
energy field to the body via a network of channels
(called meridians and nadis) which correspond closely
to the physical nerve pathways and blood vessels of
the body. With ISIS and other imaging systems we have
seen light patterns which suggest the existence of
chakras and meridians. We suggest the following as
a guide for healthy colours and patterns seen in certain
areas of the body, which may correspond to the position
of the chakras .
When the chakra colours of the human light field are
observed with ISIS it is not just one colour for each
chakra which is seen, but a mixture of colours. If
a chakra is relatively balanced one colour may predominate
- for instance the throat chakra may have more of
a blue hue when it is healthy than when it is not
(with filter 001).
Colour Analysis:
The following refers to colours seen with 001 which
is the ISIS standard filter.
Red:
Red is associated with the base chakra (located at
the base of the spine). It is believed that red represents
the life force or 'kundalini' energy. It can be seen
in some individuals in the area of the base chakra
and in the lines of energy flow around the body.
Where the energy is flowing in a balanced way these
lines of force will be seen as 'narrow' channels.
Where there is an imbalance of energy flow these channels
appear as thickened red lines or pools of red.
We often see red 'leakages' or 'streamers' of energy
flowing away from the body which appear to emanate
from the point of imbalance These streamers can often
appear in areas where the person being scanned reports
problems or disease. Red pools are often observed
over any part of the body where there is existing
dis-ease.
It has also been observed that red pool patterns are
seen in areas which subsequently become diseased.
As such, clinical trials may confirm that ISIS has
the potential to be used as an early warning system
in that congested patterns appear in the light/energy
field before physical symptoms manifest.
Orange:
Orange is associated with the navel chakra (located
in the region of the navel). Once again, it must be
stressed that each chakra is a mixture of colours
and one colour is thought to predominate, being the
'optimum vibration' for that area of the body. However,
the optimum colour is often not seen to predominate.
Yellow:
Yellow is traditionally associated with the solar plexus
chakra (located in the area below breast bone between
ribs). However, with ISIS, it has been observed that
yellow can often be seen (with filter 001) in the
region of the heart chakra (located in middle of the
chest at the same level as the nipples) in many people.
We see yellow in cases of 'electrical' activity in
the tissues of the body, for example when someone
moves and tenses a shoulder muscle when being scanned.
Green:
Green is thought to be the colour of balance - being
in the middle of the spectrum. It is traditionally
associated with the heart chakra. However, with ISIS
(with filter 001), it has been observed that green
may be seen in the region of the solar plexus in many
people. One suggestion has been that this apparent
reversal of colours could be due to the body's response
to the increasing amount of pollution with which modern
man has to cope.
Organs of cleansing such as the liver, spleen and kidneys
are found in the solar plexus region. The green colour,
being the vibration of balance, is thus needed in
the solar plexus region for human beings at this time.
Green may be brought in by the human energy system
to help healing in areas where there is imbalance.
Green has been seen with ISIS filter 001
in all areas of the body where the subject reports
no past illness or trauma. Green may reflect areas
of balance throughout the body.
Blue:
Blue is associated with the throat chakra. It also
has associations with the element of water. Where
there is fluid retention in the body, the colour blue
is prominent in the area affected. Blue may be a 'cooling'
colour, brought in to balance an area of inflammation
of the body.
Violet:
Violet is associated with the brow chakra. It is not
often seen to predominate.
White:
White is associated with the crown chakra. It represents
the highest state of vibration picked up by ISIS.
White light is often seen above the head when the
crown chakra is balanced.
Note: 'Whiteout' is due to too much light
on the subject. This can be from any source i.e. sunlight
through a window or a too bright or concentrated artificial
light source. If precautions against these effects
are taken, scans will reflect the state of the individual.
Black:
Black may represent absence of vibration or light in
the energy field. It has been seen above the head
and shoulders in cases of severe depression. It has
been seen in areas of necrotic (dead) tissue such
as cells killed by radiotherapy.
Black can also be seen in dark shadows where the lighting
is insufficient.
Light Field Analysis
All information on Light Field Analysis on this help
file relates to our experience using the 001 filter.
There are also other filters on the ISIS programme
which can be used for research. To date most of our
research has been with the 001 filter.
Patterns:
It must be stressed that, when analysing the human
light field with ISIS both the colours and patterns
are considered. Pattern recognition, which gets easier
through training and experience, is considered an
essential part of analysis.
The light field may be a template on which the physical
molecules are strung. Therefore, it does not just
surround the outside of the body but permeates through
it. With photography it is only possible to achieve
a two-dimensional image. So, colours and patterns
seen on the body may indeed be within or outside of
it. Therefore it is best to take a series of views
around the body. This allows comparison of the light
field patterns from different angles.
Shapes:
What we believe may be chakras are not always visible
on every individual - healthy or otherwise - using
ISIS.
A chakra, which appears too wide (on a front body shot),
may be extended from the body. A chakra, which appears
too small, may be situated for the most part within
the physical body. The accepted shape of a chakra
is circular or elliptical.
Chakras can be irregular in shape and, when they are
so, it suggests that the spin of the chakra is out
of synch. If this malfunctioning continues over a
period of time, then traditional theory suggests that
disease may well manifest in the organs associated
with that chakra. In low energy states, such as chronic
fatigue, the chakras can sometimes be seen as smaller
in shape than those seen in 'healthy' states. Sometimes
they are very hard to distinguish from surrounding
patterns. In extremely low energy states the coloured
ISIS scan can appear to be colourless and 'washed
out' (with filter 001).
Brightness/dullness:
Since the ISIS scanner is copying the human eye/brain
ability to distinguish amplitude (brightness) as well
as frequency (colour), some patterns are seen as brighter
than others (with filter 001). Brightness of colours
such as orange, yellow and green may indicate good
general vitality in some instances, e.g. if seen generally
throughout the light field. However, brightness of
red may indicate a more intense area of congestion,
which may reflect the state of a physical problem
in that area.
Dullness of colours, when seen generally throughout
the field, may indicate an energy field system which
is not vibrant and vital. This is often seen in low
energy states such as Myalgic Encephalomyelitis (ME
- Chronic Fatigue Syndrome).
Both brightness and dullness in the field can extend
some way beyond the physical body.
This has been a general introduction to ISIS interpretation.
Since the system is a visual one, it is easier to
understand the above once you have seen a large number
of pictures.
About ISIS Imaging
With ISIS we use a full-spectrum light reference to
produce the interference effect. The person being
scanned stands against a monochromatic background
screen. The picture is taken with a digital video
camera, which is connected to the computer.
ISIS provides qualitative analysis using a video camera
and computer to measure light reflected by the subject.
Light from the environment, interacts with the subject
on a very subtle level, and bounces off into the environment
again. ISIS is designed to get information about the
energy field from this ambient light and subject (whether
animate or inanimate), interaction.
In the case of human beings, sensitives describe the
human light field as a corona of different coloured
lights which flicker and flow around the body. Most
people are unable to see it, so we have developed
a system which uses an artificial eye, the camera,
with an artificial brain, the computer. The electrical
wire from one to the other represents the artificial
optic nerve.
An advantage of the ISIS system, from a scientific
viewpoint, is that its representation of the light
field is always the same no matter who the user is,
whereas the descriptions of light emanations described
by different sensitives, can vary considerably so
it is difficult to make objective comparisons.
The ISIS system distinguishes many subtle grades or
qualities of points of light, which the eye does not
normally see. It analyses each point of light and
a decoded image is the result. This decoded colour
image is seen on the computer screen.
|